Fiesole 14 x 19,5 cm - 5,5 x 7,7'' |
THE WITCH OF LARCIANO
Ute, our
landlady, is afflicted with
just enough
craziness to make me
want to
keep my distance—
but there
is none. There are olive trees
and pine
forests and some drop dead
lovely and untamed-looking
chestnut trees.
You can
hear the wild boar snuffling at two
in the
morning helping themselves to weird
Ute’s
vegetable patch. But there’s no distance to speak of.
Ute’s come
to press magic feathers and beads
against my
bronchitis, hold my hand, and chant something
medicinal. Maybe
she isn’t crazy, she means well, she’s
eccentric.
Maybe she won’t kill us in the
dead of night,
slice and dice our bodies,
hang us out
to dry somewhere in the garden
then store
us in jars with her jams, peppers, and olives.
We’ll see. Most
evenings I read Schopenhauer in a
deeply
carved throne-like African chair crowned
with the
pipe-smoking head of a village elder.
Weary of
the German’s pessimism, no matter
how much I
agree with it(look, if life isn’t
one long
suffering road trip, etc.), I light
my own small
pipe, also made in Africa.
I then
bless the valley below me with an improvised
slightly
stoned gesture of acceptance, because
at this
moment anyway, life is just too good not to.
Ute,
dressed in threadbare sacred gown of
faded
purple festooned with scattered moons, ex-
ploding stars
and Zoroastrian charms, is crossing the dried
out lawn on
bare feet. She’s bearing a cup
of peppery
hot chocolate. If I could fly away
I’d alight
and perch on the black tower
of
Larciano, some hundred yards down
from us,
and observe her from a safe distance
where, just
beneath me, a wedding party would unveil its bride.
Philip Glass - The Kiss
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