Nach dem Regen - After the Rain 24 x 20 cm |
SINFONIA
Luciano
Berio’s “Sinfonia”
could be listened
to as a Da-Da tone poem,
a
bewildering, inspired, irreducible
Modernist
confection
or as a
witty, deeply
sophisticated
sub-species of schizophrenia
dictated to
the composer by the spirit of madness.
How sane am
I today?—the music seems
to be asking
you—How sane is anybody…any day?
Collateral
damage from
the past washes up
and it’s Oh
Christ, what do we do now?
A new colleague
approaches you, says ”Look, I’m growing
my beard,
feels
great, going to the gym twice a week, feels great, my name’s
Chris, by
the way.” He’s clean-shaven with bits of TP stuck
to his
razor cuts. So, like, where’s the beard, dude? Is just one of
several
questions you would like to ask him if you weren’t
backing out
the door as if under attack. You are wandering
through the
souks of North Africa in the midst of a
scratch n’ sniff
system of hash, incense, musky perfumes, wood smoke.
People are
smiling, joking, talking fast as they walk backwards,
talking backwards
as they walk fast, taking time to caress
a camel
hair doo-dad, shop for magic spells, greet a cobra. It’s so pre-rational!
In just a
week you’ll be discussing the Value Added Tax with a client
or doing the
crossword, impatient, irritated. And yet your life has changed.
Maybe you
will grow a beard. Cast a spell on your secretary. Start a rug collection.
L. Berio - Sinfonia
Royal Concertgebouw, Amsterdam
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