Die Höhle - The Cave 40 x 50 cm mixed media |
AUSTRO-HUNGARIAN
MOMENT
Soggy
morning on the outskirts
of Prague
or Vienna—think of huge
pretzels
big enough to hang around
an
elephant’s neck, cakes and pastries
filled with
whipped cream and jam, strudels
of such
juiciness that the bearded among us
look
befouled after only a few bites,
the
blackest coffee, the blackest coffee ever brewed,
newspapers
hanging like flags from the wall of a chandeliered cafe—
men in
cloaks, little coffins with pistols, a doctor in frock
coat and
top hat, called in from one of the season’s
more
elaborate balls at which, evidently, physicians
were also
needed. It’s ten paces, turn and shoot until
one of the
dualists holds up a languid, white-gloved
hand and
says, ”I’m not the man who insulted you last night.
That was my
twin brother Edgar who even as we speak
is half-way
to Nice on the Cote d’Azur Express. He has
enormous
gambling debts as well which, in combination
with
excessive consumption of Sekt and spirits, makes him, well,
say
intolerable things to more or less perfect strangers.”
Something
like this has happened to all of us before. We believed the
weather
report. We went to that beach resort, that park famous for
its
pick-nick areas and wading pools, the musical gazebos and dancing
polar bears,
and it came down in buckets; when, against all expectation, all hope,
the whipped
cream was canned and the apples sour. When even
Edgar
wasn’t who we thought he was.
Mozart - 4th movement of the 41st (Jupiter) Symphony
Karl Böhm - Vienna Philharmonic
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