September 50 x 40 cm mixed media painting by Karin Goeppert |
THE BABY SITTER
Getting
someone last second to give a twelve minute speech on
“construction
engineering issues with special regard
to Stalinist
era high-rise housing in East Berlin”—impossible.
Maybe you
remember (or probably don’t)
Gerald R.
Ford? When Nixon was going down
in flames his
idea of preemptive revenge
on an ungrateful
nation was to replace his corrupt
Vice-President
(the wonderful Spiro T. Agnew)
with mediocre
“Gerry” Ford (i.e., Nixon’s successor), a man
who became
famous for losing his footing—
tripping
over the trains of fine ladies’ gowns
at state
receptions. Stepping out of Air Force One
while
waving at the adoring masses and not stumbling
at the same
time was a considerable feat for Gerry. Apparent
physical
ineptitude became his signature, his prop, his claim
to a
personal style, like Roosevelt’s smile, Clinton’s cigar.
Still, if
you keep
recent
presidential history in mind, he didn’t do a bad job—
sub-zero
expectations and no daddy hang-ups.
So, the
next time you’re looking for a baby sitter
(as hard to
find as construction engineers)
you might
do worse than a tattooed girl
with tongue
stud, red eyes, chronic sniffles. Behind
that blank gaze—which
isn’t even a gaze, which isn’t even
an empty
stare on a subway platform at midnight—
so
alienating that she looks indeed like she’s from
another
planet—and beneath a voice flattened by tons
of
post-modern urban nihilism—
affection just
might be waiting its last chance,
responsibility
and good citizenship their renaissance.
And standing
next to her, a lump
of pierced
boy-meat, a moving pattern
of crystal
meth ticks, is breathing through his mouth.
Drastically
pint-sized, wiry as a garrote,
is he not
an Eagle Scout incognito?
Beethoven's Third Symphony, 4th movement
Danmarks Radio SymfoniOrkestret - Fabio Luisi
Danmarks Radio SymfoniOrkestret - Fabio Luisi
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