THE POET
This
executive of eloquence
and he’s
empty as a spoon.
Still, he’d
like to mount the Erechtheum;
the
Himalayas to know his weight; dip his toes in the Seine.
Nobody would
dare ask him where in God’s name
he was
taking them ( thematically, stylistically, wherever)
or why he
can’t find anyone to iron his shirts.
He dreams
of fireflies in an enchanted wood above Camogli.
He dreams
of tenure. He dreams of liberating
an exotic
waitress—Surinam? Macao?—enslaved
by a
pancake house in Soda Springs, Illinois. He dreams
of one
bottle of “Opus One” Cabernet Sauvignon. Then of two bottles
he dreams.
He dreams of Cordoba, the orange trees there,
the white
courtyards with tiled staircases that go
nowhere
unclean, whiffs of jasmine, roasted chicken, garlic.
In his
current day dream
lights are
being strung from everything
in a dusty
piazza, Calabria, baroque village, pagan celebration
of some Christian holy day,
1957. The
air is dry. Black haired women, warm
and moist,
wearing floral-print dresses, their elegant
men dressed
in white shirts and woolen slacks
with hideously
elongated flies. We have no idea why
we’re here
but the wine is cheap
and a few
of the girls, appearing to need love,
pull us
down with delicate urgency
to their
talcum-powdered breasts.
In the
light of a bonfire, and just what one
would
expect, the village church is a
crumbling
wedding cake; for about fifteen-minutes—
thanks,
Andy—everyone’s a poet.
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