Marokkanischer Garten - Morrocan Garden 50 x 50 cm acryl painting by Karin Goeppert |
OLD MASTER ITALIAN PAINTING
is a lot
about fabric and
its folded
textures. Hair as a formal
statement mounted
on what is
so much
more than pretty
in its aura
of self-acceptance
that we can
only accept it with misgivings—we’ve
known a few
people with that dark magic: sign
up for my
religion, they seem to say, or
turn away
at your loss; either way you’re screwed—
and the pain
of sorrow so exquisitely
arranged in
a Botticelli Madonna
that it
could be the visual definition of
radically decelerated
ecstasy. She looks like
she has a
very bad cold, but you know
it’s more
than that. She, this post-pagan,
strawberry
blond Cassandra—she’s seen something awful.
Here’s what
makes her post-: she gives in too easily, no struggle.
Too much
pity and you’re lost; not enough you’re not nice.
Either way
someone’s screwed. Outside
a woman’s
disappointment with you is text book,
almost
clinical. What her face seems to express
as you play
soccer with a plastic coffee cup—
and which goes
a shade darker
when you glance
up just in time to glimpse a
bright-skinned
girl skateboarding by, glimpse turning
into
elaborate, open-mouthed, speechless desire—
could
render the stupid thoughtful for a second.
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