Lipstick and Mascara II 20 x 20 cm mixed media on paper |
TO LIVE LIFE
BETWEEN A BREATH
Contrary to
expectations Isolda
stopped
singing and Tristan froze
in space.
The orchestra took industrial
action,
walking out in mid-note, and the
conductor
dropping his baton broke down
as Berlioz
famously did, flinging himself over
the kettle
drums, weeping copiously. Tristan says,
“Let’s make
a move,” as Isolda slides forward and back
at the same
time, seeming to defy physics,
but only in
her mind. Smiles are what matter now. Words are
of less
weight. Yet each encounter is a story. Narrative
abounds in
an instantly bared shoulder; fingers press
yours as
she hands you the change. A twitch
of sinew,
all the flexed intensities of movement
caught in a
web of unwavering attention. The conductor
walks
slowly out of the theatre, climbs into a cab.
She’s from
Puerto Rico, sits behind the wheel, will listen
to him,
will change his life before the evening is over.
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