YOU REALLY
GOT ME
When I was
a kid I dreamed of fake landscapes.
Jungle in
black-and-white, for example,
the ape
king whirling from limb to
branch as
Jane fretted ( wondering perhaps
if her man would
ever come
down from
the trees, would ever
start to evolve)
and her boy…
named Boy…Boy
lost, Boy
scratch curly
scalp. Boy maybe a little “slow?”
Or is
confusion a symptom
of having a
generic name? Think about it.
(Such a
thought plus a couple of bucks just might
get you a
double-espresso in a farm state college town.
Think of
corn and wheat. Think of soy beans,
whose odor
and texture I can’t even imagine.
Think of woefully
flatulent cattle.) From I don’t know
where my
sister’s transistor radio was constantly playing
“You Really
Got Me,” by the Kinks—remember that one?
If you do,
it’s time to check your blood pressure,
prostate,
cut down on butter, red meat, Black Forest
Chocolate Cherry
Cake; to dig in, hunker down, pray for release
from
ambition, lust, jealousy, the urge to smoke, the
urge to
step out into Midtown traffic against DON’T WALK—
while In
the kitchen where nothing’s dire Pamma always
prepping leg-of-lamb,
conjuring
undulant pastureland
in Ireland or Scotland, saying
“Kenny, you
will never be a nine-to-five man.”
O Pamma, what
hast thou wrought?
And now
it’s
the Sahara starring
Abbot and Costello
in
legionnaire drag
and I’m
there too. Standing on a nearby sand dune
is Mr.
Carpenter, our school principal and archetypal a-hole,
tapping the
palm of his hand with a
perforated
paddle. The man knows everything
there is to
know. A “little bird” has told him. A tiny feathered Fink.
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