AFTER THE
RAIN
A woman approaches
you
through the
rain.
Dragging
shaky fingers
down her wet
hair.
Doesn’t
seem to know umbrellas exist.
Possessed
looking
clear
through your eyes
all the way
to the back of your skull:
you ask
yourself what she sees
up there if
not lust and wonderment?
Very
predictable. Still, the
critics
love it, and the people clap.
There’s a
scene in “The Year of Living Dangerously”
when
Sigourney Weaver moves zombie
like
through the Jakarta monsoon
toward an
unsuspecting Mel Gibson.
She seems
stoned on a self-concocted
chemical substance,
i.e., transcendent.
And you
know
they will
crash through a road block, escape to the highlands,
that the
rebels will end up
crushed by
the dictator’s army.
And you
know
none of this
will matter
as much as
that woman
possessed
who
approached
you
through
the
rain.
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