In this blog we will share with you our vision of beauty, balance, harmony.

As Mark Leach writes in his book Raw Colour with Pastels: “Sound is all around us, and it is musicians who refine that sound into something of beauty. As a painter, I have always felt that my purpose is to craft colour in a similar way, to see through the confusion and seek harmony and beauty.”

And we add: Words, fragments of sentences, spoken noise is all around us, and Ken arranges words in such a way as to capture beauty in the accidental, the ambient soundtrack of life.

Showing posts with label Aretha Franklin. Show all posts
Showing posts with label Aretha Franklin. Show all posts

Sunday, August 19, 2018

RESPECT




Harbinger 100 x 120 x 1.5 cm acrylic on canvas



TUSCAN ORDEAL

Netherlandish neo-pagans come here for
the Madagascar Hoopoe, a striped bird
with an umber head that looks like a helmet, and  
a long thin beak. It doesn’t sing or moan or whistle—
it shrieks as if someone has pissed it off.

The first time I heard one I thought some
Netflix spawned man-eating
creature had crawled up
to the side yard of our rented house:

rows of vines, olive trees flickering from white to pale dusty  
plush green. Then back.  Productive landscape, food factory.

Peasants must think we are nuts to come here
and watch them work. I try to picture leathery
farm hands with big white teeth pulling up in a tour bus
in front of a manufacturing facility, a chip-building campus
clutching meal tickets and smart phones. That’s us, in reverse.

Warm grass blades pricking my bare feet.  Late afternoon
and I’m in pajamas, sipping, I kid you not, a G&T.  Across the street
are three farm workers taking a break beneath a massive cherry tree,

observing a dork in his jammies at five PM. They’re intimidatingly
detached about it all. To add insult, two Madagascar Hoopoes
shriek from a shared tree limb. A blond woman in very short shorts
jogs by.  Doing what workers everywhere would do
each man gives his crotch a subconscious squeeze,
sending signals from his literal lap top. I have another sip.

In five days I’ll be teaching the gerund.
The present perfect progressive.
In five months I’ll know for sure I can’t go on.
This is known as the grammar of small despair. 



Sunday, April 10, 2016

Send me no doctor


Continental Drift 25 x 30 cm acryl painting by Karin Goeppert





SOME PEOPLE I’VE SEEN

Yesterday, for example, saw a woman
whose face went back and forth
between fear and bewilderment.
I’ll never know her troubles,
I thought. And what could I offer, if I did?
“Sex,” whispered the male imperative, psychopathically
serene as ever. Then enlightened self-interest slash good manners     
kicked in with: “Don’t stare, it’s rude. Mind your own business.”
When I looked at her again, she was smiling, on the verge of laughter.                                           
                                        And what’s up with the 
man who camps out in the park most nights? I’ll never
get close enough to figure him out. An exchange   
of words though might be like slithering face-up under
miles of barbed wire. No way out. However if you    
are living in a park, psychology no doubt’s been stripped
down to finding shelter, a bite to eat. But what about those
potentially reflective moments when he’s smoking 
a cigarette beneath his favorite tree? For his sake I hope
he mainly thinks about supply issues. Where his next 
smoke is coming from. Bottle of lager. And not cause & effect.
                                            One bright June day last year 
I spotted a pretty girl seated atop a stack of pallets on a Berlin  
sidewalk. A fashionable boulevard. And there she was eating 
from a carton of strawberries with the abandon of a voluptuary,
a libertine of fruit. But slowly, with care, every bite deeply
enjoyed, as if nothing else in the world mattered. I couldn’t stop looking.