IN
TRANSITION
The cable installation
dude looks as if he’s been doing push-ups
all of his
life. He’s eying your wife steadily,
unabashedly.
Given the context, scenario, the looming
event
horizon you consider a response. Why not
strangle
the fuckwit with one of Cynthia’s
push-up
bras? For once a touch of punning poetic justice.
But aggression’s
leaking away replaced by a softer,
gentler, more
fluidly feminine substance. Headaches keep
circling back,
settling in like sodbusters in the north-east
sector of empty
territory once known as your brain. Life loving
sociopaths,
charlatans in sharkskin suits, used to lurk there,
replaced now
by a midwife, two hairdressers,
a depressed
clerk weeping in a broom closet. What’s this all about?
Your analyst
has suggested you take up ballet, as if lifting
a fifteen
year old girl over your head and sprinting rather
daintily through
a bevy of dying swans just might clarify
certain
“issues” in your life. Soloists lined up at the barre.
Staring
into the mirror, nubile Denise asks you to sit on her
upright feet,
your manly weight needed to bend, reshape, deform.
“I’ll get
back to you later,” you say, then lock yourself in a bathroom
stall in
which you dig through your “dance” bag, like mom searching
frantically
for her lipstick, a clean tissue, so long ago—you’ve taken to crying
in
elevators. Must be the music, the sad songs. Those testosterone blues.
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