REMEMBERING
THINGS
A mildly
tanned Swedish girl
at the
youth hostel in Menton—
you know,
the one in France—strands
of pale
hair corrected by long brown fingers
asking me
in an accent as flat as
the great
state of Kansas or Nebraska
if I ran
cross-country
in high
school. Oh (I’d have
said if
presence of mind had
not been
absent) yes, if that’s what you
want to
hear, you beautiful, gorgeously so, etc.
know what I
mean? But all she wanted
to talk
about was her mother’s cancer
and a psychiatrically
challenged brother
which was
fine, I didn’t mind listening,
I’m not a
bad person, but I was a
horny
person, and well, you know what I mean.
The first
time
I heard a
sitar, “Norwegian Wood”
most of me
resurfaced on the banks
of the
Ganges, sprinkle of bougainvillaea
petals on a
cricket pitch odor
of burning
rubber a leper reaching out—saw that leper again
years later
in a fresco by Masaccio:
we had
reunion of sorts.
“Art-needing
animal,” someone whispers.
Maybe you’re
right. We do need play
and
invention, have a morbid interest
in the
rules of any game, and
how far
breaking them will take us.
The first
time I heard
a mandolin.
The first time I did mushrooms
listening
to Pink Floyd: totally organic
my friend
said, almost sacred, kicking in
just as the
opening chords of “In the flesh?”
came
thudding out of his speakers
blasphemously
somehow. I’ll always remember
being
buzzed on caffeine, reading Proust
inch by
fucking inch. Portrait
of the
Artist. Of a Lady.
Of queens,
retainers, sycophants. I mean
the vicious
whispery maledictions too
coming from
mother and her third
husband as
they rampaged down the
path of
Mutually Assured Destruction.
Love leaping
from a girl’s eyes
when you
tagged her then said,
“You’re…It.”
Apple skins
left piled in sunlight.
Sharp-toothed
crunch of fruit in her mouth.
The wedding
cake too gaudy,
if you know
what I mean, but the bride oh
she was
beautiful, gorgeously so.
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