Red Triptych 40 x 120 cm mixed media on self-stretched canvas c/o Karin Goeppert |
THE PROMISE
Let’s assume
it was Oscar Night
and that she
was totally without clothes
posing for a
selfie on a red, toe
cosseting carpet.
You would think the
King of
Bushair had just offered her
a bag of
musk. Later, beneath a peacock
feathered
canopy, she lays out a novel version
of the Four
Noble Truths as an eight-fold
path to
post-industrial post-Freudian postman
bent over, scratching
his butt, ready to deliver
final
notice to anyone who has exceeded
their allotted
time. You who are menacingly stupid—
he’d like
to say—should know your place
or at least
the address. What’s wrong with you people?
Just look
how the sky shifts from bluish tinge
to rash
pink to the Velvet Underground
station in
London, a dozen pinpricks hanging out
on a hot
night fitting tighter than a hawk’s hood
the
texture, moody turnovers and smoky switchbacks
of what, for
the moment anyway, we call life. Need I
go on? For
your sake, dear reader, I won’t. I’ll leave you
with a
promise of peace, a little elegance and a good joke
shared with
someone okay plus the rare instant
the King of
Bushair offers us two bags of musk.
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