Ich hatte mal ne türkise Vase - Once I had a turquoise vase 38 x 28 cm |
Many years ago - more than 30 for sure - I visited the relatives of my
friend Alan and his mother had a red flower infront of a turquoise
painting. I never forgot that color combination. I loved it.
So, Alan, this is to you!
So, Alan, this is to you!
CONTEMPLATION
If you look
long enough into the abyss
the abyss
just might look back.
Friedrich Nietzsche
On a good
day when I
look at a
work of art
I
experience a state of mind
I call
ecstatic contemplation.
I am lifted
up to a pleasant mountain
pavilion fluffed
with scented cushions
and here’s a
water pipe, thank you so much, loaded
with a
cutting-edge substance, and the tip
of this
pipe, connected to my mouth,
is held in place
there by a half-naked girl
whose twin
sister is down at the other end
giving me,
shall we say, a lovely foot massage?
But no, I
don’t think that’s what art does;
I think
that’s what middle-age does.
Otherwise
multitudes of robust
consumers
upon whom our economic
health
depends would abandon shopping malls
and theme
parks and KFCs and we would have
to wait
hours to get into the Dallas-Ft. Worth
Museum of
Fine Arts on a Monday evening,
the Cowboys
playing the 49ers at home to empty seats.
We would
have to book the Prado, the Uffizi
years in
advance. Ecstatic contemplation
is an out
of body experience, and
there’s a
hidden risk to self-esteem.
It’s not
meant to be easy. First,
you stand
back and wait for a Russian aesthete
to cell phone
photograph his hot-panted
friend teetering
on her spike-heeled tight-
rope athwart
the “Primavera,” say, or a
little
garden scene by Leonardo as if it
were a new Jag
or Porsche. Then, after
they
depart, you find yourself, if all goes well,
cut off, out
of the world, lost in a dream
of perfect
skin—those Italian masters were
notorious voluptuaries,
and even Mary, virgin mother
of God,
looks hot—shimmering silks and fabrics
in
intricate golden lit folds and creases. If you stand
there long
enough the picture waking from its
own dream
will notice it’s being noticed
and start to
contemplate you; vaguely androgynous
angels with
rainbow wings will take you in
if none too
ecstatically, and it’s like that line
in the Rilke
poem: You Must Change Your
Life the
Archaic Torso says to the Great Poet, i.e., thou art
a dud
compared to me, a slob, and my maker wouldn’t waste
five
minutes of his valuable time rendering you—
or, as a certain
king once put it, “it’s now or
never,” so there’s
no time to waste.
Omar Faruk Tekbilek - Ayasofya