In this blog we will share with you our vision of beauty, balance, harmony.

As Mark Leach writes in his book Raw Colour with Pastels: “Sound is all around us, and it is musicians who refine that sound into something of beauty. As a painter, I have always felt that my purpose is to craft colour in a similar way, to see through the confusion and seek harmony and beauty.”

And we add: Words, fragments of sentences, spoken noise is all around us, and Ken arranges words in such a way as to capture beauty in the accidental, the ambient soundtrack of life.

Sunday, September 20, 2020

John Updike in Bermudas

Spinster 100 x 80 x 2 cm - mixed media on linen canvas

 

 

 

THE 4th

 

It’s the 4th, as it always is

this time of year, even the police

peaceful today handing out ice-cream to

graceful multi-hued children who have never

known public strangulation; for whom pepper spray

is something you squirt on your salad.

 

All trees are impressive here, really

big, excellent timber. There are no snipers in the branches.

And yet what if the wind fell through their leaves

then went ripping down the sidewalk  

blowing roughly one-third of Kansas

and a hefty chunk of Missouri off the map,

threatening Arkansas and impressive swaths

of Oklahoma with utter devastation? What would we do then?

 

I don’t know about you, but I would pour

another drink; let someone else deal with it. I gave

at the home office ha-ha. There’s plenty on my plate e.g.

“Next Door Liz” has just flashed me. Or am I hallucinating? Nope,

she gives an encore: up with the sun dress—no panties—

then down again. Another perilous day in the bush, my dear Livingston.  

Yo, Liz. Wassup? Such exuberance reminds me

of the 60’s. Depravity in the burbs redux; John

Updike in Bermuda shorts. True, Stockholm refused

to give him the Big One, but he did have fabulous legs.

 

 

 

Sunday, September 6, 2020

Renegade

 
Abtrünnig - Renegade 100 x 70 cm - mixed media on craft paper



AFTER THE RAIN

A woman approaches you
through the rain.
Dragging shaky fingers 
down her wet hair.
Doesn’t seem to know umbrellas exist.
Possessed
looking
clear through your eyes
all the way to the back of your skull:
you ask yourself what she sees
up there if not lust and wonderment?
Very predictable. Still, the
critics love it, and the people clap.
There’s a scene in “The Year of Living Dangerously”
when Sigourney Weaver moves zombie
like through the Jakarta monsoon
toward an unsuspecting Mel Gibson.
She seems stoned on a self-concocted
chemical substance, i.e., transcendent.
And you know
they will crash through a road block, escape to the highlands,
that the rebels will end up
crushed by the dictator’s army.
And you know
none of this will matter
as much as that woman
possessed
who
approached
you
through
the
rain.