In this blog we will share with you our vision of beauty, balance, harmony.

As Mark Leach writes in his book Raw Colour with Pastels: “Sound is all around us, and it is musicians who refine that sound into something of beauty. As a painter, I have always felt that my purpose is to craft colour in a similar way, to see through the confusion and seek harmony and beauty.”

And we add: Words, fragments of sentences, spoken noise is all around us, and Ken arranges words in such a way as to capture beauty in the accidental, the ambient soundtrack of life.

Sunday, December 15, 2019

Can't Imagine


 
untitled 24 x 18 cm collage, acrylic on linen board




CAN’T IMAGINE

Can’t imagine being addicted to cough syrup.
   Or living near an abandoned overpass in Topeka.
Can’t imagine fathoming the somber pleasure
   of a modulated cynicism
even as it rises like morning fog in Southern Bavaria.
   Or not listening to Portishead or J.S. Bach
or Charles Mingus or watching Rose Lavelle score
   against Holland in the World Cup from like four
   teen different camera angles and in slow motion.
categorically I cannot imagine reading a word by Dan White.
   I could imagine though doing dynamic yoga
   in a country where the humidity is roughly 90%
and people talk earnestly about animus and anima
   and colonic irrigation while sweat drips from their nipples—
but I’m sure I would hate it.
Attending a sermon at a megachurch in suburban Houston
   would be an enormity I couldn’t possibly imagine. Ditto going
to a Republican convention at any time but especially
   if Clint Eastwood was there saying stupid things.
   Can’t imagine eating Brussels sprouts. Or climbing Annapurna.
But walking numbly through a shopping mall on Black Friday
   in Tupelo, Mississippi would really take the cake—
which I couldn’t imagine eating or having not even
   if offered by someone of exceptional imagination. 



Sunday, November 17, 2019

All that Jazz

Pliny Said 30 x 24 cm - collage on canvas






MORE OF THE SAME

“I’ve always tried to take
the most interesting path,”
an academic poet tried to explain,
“Hoping by doing so that I’d become
a path others might choose to follow.” Everything
we do is gesture, I wanted to add. But didn’t.
There’s so much explaining going on. Once,
my father-in-law, and in High German, no
less, said, “Have a seat, I want to tell you
all about the key to my success in life.” I knew
then I would need another drink, and later
the majority share of a joint. Most of us
are like brothers and sisters, twins, who don’t like     
each other. Angry siblings fighting over scraps of food  
and love, our mothers and fathers failing to notice.
If I’m a puzzle to myself, just imagine what you are to me.



Sunday, November 3, 2019

Just another paranoid afternoon in autumn


 
Autumn is Yellow 100 x 80 x 1,8 cm - acrylic on canvas



JUST ANOTHER PARANOID AFTERNOON

Not the best day of my life.
One look at a crowd torn by indecision,
maybe hostile, “Are they like for us or against us?”
Pink Floyd might have set
some of this to music; mom, dad,
viciously festive relatives,  random well-wishers
all urging me to blow out the candles or
they’d chop me up into little pieces. What they failed to tell me
when I was a kid: strangers are almost always strange. And

everyone’s a stranger. Think I’ll duck out of this party. Well, an elfish girl
whispers, I’m not here to turn you on, but I’d stick around if I were you.
I know there’s a chair out of which I’ll have to struggle.
There always is.
Can’t help but remember climbing up one of those
tall buildings in the Financial District for a job interview.
Too gorgeous for words but scary assistants in their secretarial cockpit. I, sunk
in a chair very close to the ground. Knuckles dragging deep-pile or was it shag?  
Beige-haired boy/man in a baggy suit striding forcefully
toward me, half-hearted arm sticking out, eyes empty
as any sky above Needles, California, handshake
notable for its lack of quiddity. I have to leave this party,

sweet girl. And no, I didn’t get the job. Out on the wet windy streets
of Stadtmitte—German for downtown—a puzzle of trattoria and vegan bistros.
Obviously no one’s thrilled to be out. Every door is an exit.




Sunday, October 20, 2019

The Debt to Pleasure

Plinius Sagte (Pliny Said) 30 x 24 cm - acryl/collage/wax on canvas




CRUSHED

It’s the Human Resources woman
two cubicles down, near the water
cooler, who has your mind wandering. Lost in space,
pondering distant galaxies, when you should
be holding up your end of a conversation
is where you are right now.
And someone has taken the steering wheel
of Katie-the-next-door-neighbor’s sanity     
and is driving the poor thing right off a cliff.
Not just once but, Prometheus-like, over and over again.
We are staying nowhere post-modern or
right-angled or anally suburban. Instead
one of those funky labyrinthine pink or white  
medinas in North Africa, smoky with hashish and incense,
where only the natives can lead us out, and boy
are they not talking, lips sealed tight
in sad compassionate smiles.
The old Greeks had it figured out: infatuation’s
a pesky deity called Ate’ about the size of a sand fly.
She bites you and you are gone. The only way back is
to give up, throw in a tear-stained tissue, watch rom-coms alone,
eating ice-cream with chocolate bits stuffed inside, crunchy
with nuts and just a hint of cherry, waiting for the phone not to ring.



Sunday, October 6, 2019

Mildly Joyful Discontent


 
High Up 50 x 50 cm - acrylic on cotton rag paper c/o Karin Goeppert





MILDLY JOYFUL DISCONTENT
                                                             I do this I do that.
                                                                                   Frank O’ Hara
It’s almost day and I can
hear the fan whoosh by
and soon it’s five-thirty
the sky’s hesitant exhausted look
indicating more heat’s on the way.
Later on almost everyone’s outside  
wearing shorts which reminds me
of a poem by Les Murray
about the shorts-wearing season
in Brisbane so hot and wet there
people stick to each other by accident.
A few of us wonder how it might feel  
to be stuck on purpose to certain women walking by
(which is politically incorrect if hormonally inevitable),
a neither-here-nor-there proposition though
because so unlikely as to be nowhere.  
Karin is baking flat bread and
whipping up bowls of dip for a pot luck   
thing under the trees with a few neighbors
we hardly know and with whom we will talk
about this year’s heat wave, compare it to last year’s
the farmers needing subsidies yet again
and guess who’s going to pay for it all
climate no longer simmering but at full boil
ready to be served up by the Antichrist in D.C.
the spirit of our age riding into town on a golf cart
alcohol going down so fast that bitching and moaning
roll into one big beer belly of mildly joyful discontent
on this July afternoon in a backyard, Kreuzberg, Berlin.