In this blog we will share with you our vision of beauty, balance, harmony.

As Mark Leach writes in his book Raw Colour with Pastels: “Sound is all around us, and it is musicians who refine that sound into something of beauty. As a painter, I have always felt that my purpose is to craft colour in a similar way, to see through the confusion and seek harmony and beauty.”

And we add: Words, fragments of sentences, spoken noise is all around us, and Ken arranges words in such a way as to capture beauty in the accidental, the ambient soundtrack of life.

Sunday, November 25, 2018

Walking with Franz



Walking with Franz 100 x 80 x 4,5 cm / 39.4 x 31.5 x 1.8 in acrylic/soft pastel on canvas+





PASTORALE
                                           “He is terribly afraid of dying
                                           because he hasn’t yet lived.”
                                                                       FRANZ KAFKA

The other night I dreamed
I was lost in a forest somewhere,
one of those sandy, piney affairs
one usually stumbles across then through
in the skinhead wastes of Brandenburg,
home of concertos,
home of French-speaking Prussian
emperors, homeland of the potato. The light is veiled
white and moist with sun surge
and we are all beginning to sweat a little.
Somewhere up ahead there’s a girl
and soon she’s walking right by us, wordless,
because the Prussians, unlike the Bavarians and Swabians,
never greet strangers when they’re out for a hike.
They walk right past you like you’re mist or smoke.
Soon, there’s a guy I’ve never seen before in front of us.
Pale, dressed in a pair of rumpled PJ’s, he looks bad.
He says, “You’d better change your priorities,” as if
we were in the middle of a conversation about life choices.
I feel like asking him, “Got any tips?”
But I know what he means, because this is a dream
and dreams are nothing if not indecipherable
and at the same time somehow obvious.
I choose sarcasm anyway:
“What do I owe you for this sage advice?”
“Everything,” he says, “that you have ever thought. Plus
whatever inborn rhythm and grace you might possess.
All the opportunities you’ve never exploited
because you were weak, or too tired, or unsure of yourself.
And all the dreams you’ve ever had of my wife I want out
of your head. Forever.” And now he looks really sad
as he raises his eyes and says: “And time. Just a little more time.”




Sunday, November 18, 2018

This is not (my) America - No


 
Good Friday 25 x 19 cm mixed media on paper

The Trial 25 x 19 cm mixed media on paper




ORIGINS

The ones who came before us were
from lyrically named locations where the cheese smelled
strong and where the ladies didn’t always  
shave their underarms and hardly ever their legs
and where the common folk were hungry
most of the time except on feast days,
our ancestors having descended since then
upon someone else’s homeland with its streams
and rivers teeming with trout and other fish
and aboriginal skinny dippers   
whom we killed along with everything else that moved—
the habit of which is still with us, a great release apparently
for some of our more pent up citizens—
and measured out the land, the strongest
always getting more, naturally, though we were as ravenous 
in the end as at the beginning and always  
looking for a good deal and if we could get laid
in the bargain, then, hell yeah, more power to us—
beautiful and wild we continue to seduce who
ever catches our eye. Not unlike Bowie’s
Ziggy, we can “lick ‘em with a smile.” Every day the “Others”
push back and at the same time beg for more. “They
should know better,” utters a wised-up gnome, while his muse,
super cute but a bit of a scold, corn colored hair, freckles
and a slightly Asian cast to her eyes, peeks through her fingers. 





Sunday, November 4, 2018

Honeypot

Honeypot 48 x 63 cm acrylic and charcoal on paper





A TASTE OF HONEY

The title’s somewhat misleading:
A Taste of Honey. Herb Albert
& The Tijuana Brass. On the album
cover a naked girl is buried up to and just
over her nipples in whipped cream.
The beauty of her breasts, sculpted in cream
(which in disillusioning reality was shaving cream)
defies description because it cannot be seen.
Voluptuous contours suggested, not shown.
And imagination hesitating all over the place, not willing
to sound like a personal essay on some porn blog.
Even before puberty I wondered about the physical
impact of a leisurely cuddle beneath that mountain
of magic cream, wanting, like all explorers, adventurers,
seekers, an object whose essence I could never grasp.
Look, she’s licking her finger. Only, where’s the honey?
My guess is that it’s concealed beneath the “whipped cream.”
Meanwhile walnuts shake their skins in the hot breeze.