JUDGEMENTS
The
elephant gets out of bed, wonders
where he
put his trunk. No doubt a cartoon I saw
when six or
seven. Road Runner, what’s up, Doc?
Popeye’s pipe
a can opener too: that ilk. It’s art,
it’s all
art. Nonetheless I must tell you what I think,
mustn’t I? Tolstoy
and I both loved Natasha.
Trying to
imagine a double scoop of her lips
at Ginnochio’s
Ice-Cream Palace, I can only visualize one hand,
surprisingly
large and tipped with red lacquer, holding a sugar cone.
In your
judgement, what the hell’s wrong with me?
I would observe
Madame Bovary from a safe distance,
judging and
forgiving her, but not being unkind the way
Flaubert was
on his beautiful-if-fucked-up mission
of “Madame
Bovary c´est moi.” I’d like to say, Get over yourself, Madame.
It looks
like the
kind of brown paper in which butchers used to wrap
large
bloody steaks. My wife’s painting on it. She reluctantly
asks me to
give her notes. I pause, appear reverent. After all I’ve
just entered
a chapel of art: chants, incense, blood-stained sacraments.
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