Auferstehung - Resurrection 27,5 x 23 cm |
nach/after Piero della Francesco
HISTORY
History isn’t
the music coming through our window—
Led Zep
working out some Hobbit-derived obsession
antiquarian
in its own quirky way—and history
isn’t the lilac-hued
romance that Karin, warm as a muffin
beneath her
feather-stuffed covers, is reading right now,
a story fraught
with murder and pestilence and courtly intrigues
and troubadours
singing rapturously of love and such matters
(that many
of these wandering poets were gay didn’t
stop them
from knowing what the girls might want to hear)
and it may
not even be those gorgeous frescoes by Ghirlandaio
climbing
the interior walls of a white-faced gothic church close to
the train station
in Florence, which are as close as we can ever
get to boarding
a time-machine and actually visiting
the Quattrocentro,
if minus the putrid odors
and public hangings—it
is the art that survives, is all that’s left
of rumors
of rumors and various vague confabulations
neatly
reduced to the scholarly gossip of specialists
hoisting
cocktails at academic festivals—try to
remember
that even if you remember not to forget history, you’re doomed
to repeat
it in some weird way. And so what if it’s “bunk,”
as Henry
Ford stupidly put it? We seekers of the olden days—another Henry (James)
called us “passionate
pilgrims”—seem to need its tattered raiment, its half-forgotten song.
Ramble on - Led Zeppeling
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